[Rewind] Dilemma : Nelly ft. Kelly Rowland

This would probably raise a wry smile from Berry Gordy such is the track's mastery of the art of black pop music. The highlight from Nelly's predictably disappointing second album, 'Nellyville', 'Dilemma' offers Kelly Rowland a chance to shine away from the blinding light that is Beyonce.

Get past Kelly's sycophantic tendency to name-check Nelly throughout and this is hard to resist. She does just fine sparring with the St Louis rapper (who sounds much more bearable at this tempo) on a slow jam that recalls countless 80s tunes, from Prince to Cameo. And you don't need a mullet to appreciate that.

LYRICS

I love and I need you
Nelly, I love you, I do
Need you

No matter what I do
All I think about is you
Even when I'm with my Boo
Boy, you know I'm crazy over you

No matter what I do
All I think about is you
Even when I'm with my Boo
You know I'm crazy over you

Uh-uh-uh-uh
I met this chick and she just moved right up the block from me
And she got the hots for me, the finest thing I need to see
But oh, no, no, she got a man and a son, oh-oh, but that's okay
'Cause I wait for my cue and just listen, play my position
Like a shortstop, pick up e'rything mami hittin'
And in no time I better make this friend mine and that's for sure
'Cause I-I never been the type to break up a happy home
But there's something 'bout baby girl, I just can't leave her 'lone
So tell me, ma, what's it gonna be
She said, "You don't know what you mean to me," come on

No matter what I do
All I think about is you
Even when I'm with my Boo
Boy, you know I'm crazy over you

No matter what I do
All I think about is you
Even when I'm with my Boo
You know I'm crazy over you

Uh-uh-uh-uh
I see a lot in your look and I never say a word
I know how n****s start actin' trippin' , and hate up all the girls
And there's no way Nelly go for it
Ain't f***in' with no dame, as you could see
But I-I like your steeze, your style, your whole demeanor
The way you come through and holler, and swoop me in his two-seater
Now that's gangsta and I got special ways to thank ya, don't you forget it
But it ain't that easy for you to back up and leave him
But you and me we got ties for different reasons
I respect that and right before I turned to leave
She said, "You don't know what you mean to me," come on

No matter what I do
All I think about is you
Even when I'm with my Boo
Boy, you know I'm crazy over you

No matter what I do
All I think about is you
Even when I'm with my Boo
You know I'm crazy over you

Sing it for me, K

I love and I need you
Nelly, I love you, I do
And it's more than you'll ever know
Boy, it's for sure
You can always count on my love
Forever more, yeah, yeah

East coast, I know you're shakin' right
Down south, I know you're bouncin' right
West coast, I know you're walkin' right
('Cause you don't know what you mean to me)
Midwest, I see you swingin' right

No matter what I do
All I think about is you
Even when I'm with my Boo
Boy, you know I'm crazy over you

No matter what I do
All I think about is you
Even when I'm with my Boo
You know I'm crazy over you

East coast, I know you're shakin' right
Down south, I know you're bouncin' right
West coast, I know you're walkin' right
(You don't know what you mean to me)
Midwest, I see you swingin' right

East coast, you're still shakin' right
Down south, I know you're bouncin' right
West coast, I know you're walkin' right
(You don't know what you mean to me)
Midwest, you're still swingin' right

No matter what I do
All I think about is you
Even when I'm with my Boo
Boy, you know I'm crazy over you

No matter what I do
All I think about is you
Even when I'm with my Boo
You know I'm crazy over you

Yeah, yeah

East coast, I know you're shakin' right
Down south, I know you're bouncin' right
West coast, I know you're walkin' right
(You don't know what you mean to me)
Midwest, I see you swingin' right

East coast, you're still shakin' right
Down south, I know you're bouncin' right
West coast, I know you're walkin' right
(You don't know what you mean to me)
Midwest, you're still swingin' right
Read more!

[Hot Artist] Sean Kingston : There's Nothin MV Lyric & Download

With a surefire hit, "Beautiful Girls," Sean Kingston has burst onto the Hip-Pop scene. With a well put together album, Sean Kingston is definitely in a position to hit the younger aged population. Although SK's album is catered very much too that younger crowd, he still has a couple tracks for the hardcore rap fans. "Kingston" the opening track is what you're use to from JR Rotem. With a soldier type drum backing, hard thumping kicks and strong claps, "Kingston" is anthem banger. "Drummer Boy" is also in this fame. SK proving he's not just a product, rapping about where he's from (although the Ya Boy featured "Where I'm From" should have been on the album). With a strong hook and another strong beat from JR SK kills this track too.

The rest of the album is pretty much Hip-Pop. From the Phil Collins sampled "I Can Feel It" to the heart wrenching song about his mother, "Dry Your Eyes." On "Dry Your Eyes Eyes" SK shows his versatility rapping and singing with a very smooth piano driven track. "Take You There" is an upbeat take on SK taking a lady around the city of Miami. The grown up lyrics though make you doubt that he's actually writing these songs though.

The Hip-Pop is really showing on "Got No Shorty," "Me Love," and "There's Nothing," mainly because these tracks are very interchangeable. Which is the major downfall from this disc. A lot of tracks songs fairly similar and may appeal to the general public, but the hardcore music fan will lose interest fairly quickly.

Although SK has a few downfall tracks, he does have a solid album. For those that skim through they'll love listening to this album. After a few dozens spins though the material gets watered down fairly quickly and you'll move on. SK will still get a few more hits out of this album though seeing "Me Love" is already moving up the charts and look for "Your Sister" to hit the clubs.

That honor now goes to 17-year-old Sean Kingston's ''Beautiful Girls'' — you know, the one with the Jamaican patois that goes ''You'll have me suicidal'' (or ''in denial,'' in the nervous-Nellie alternate radio edit). It's an irritatingly irresistible pop smash that uses a ''Stand by Me'' sample and electronic vocal processing to make Kingston's West Indies dialect sound more sci-fi. If Jar Jar Binks ever borrowed C-3PO's voice box to bemoan his adolescent sexual frustration, it would sound...well, not nearly as endearing as this.

At its best, Kingston's debut CD, Sean Kingston, keeps turning familiar riffs into dancehall cotton candy. ''Me Love'' transforms the faux reggae of Led Zeppelin's ''D'Yer Mak'er'' into, you know, only slightly less-faux reggae. ''Got No Shorty'' updates the circa-1915 ''I Ain't Got Nobody'' for 21st-century urban outcasts. There — and in ''Dry Your Eyes,'' a tribute to his imprisoned real-life ''mommy'' — he's a baby-faced underdog you can't help but get behind. Unfortunately, a few unconvincingly tough hip-hop tracks (including his first teaser single, ''Colors 2007,'' which went nowhere) seem like vestiges of a plot to present Kingston as a pudgy thug, before ''Girls'' made him a star softie. He's hardly the first 17-year-old with an identity crisis. Happily, the public has voted: Gangsta, nay. Lovably thwarted teen gigolo, yay. B

"There's Nothin' (featuring The DEY and Juelz Santana)"

theres nothin in this world theres not another girl that can satisfy my needs.Theres nothin in this world theres not another boy that can make me feel so sweet

Lyrics

There's Nothin

Sean Kingston, JR, Paula
Hey, hey, haha
Sean Kingston, Paula D

(Chorus)
There's nothing in this world
There's not another girl that could satisfy my needs
There's nothing in this world
There's not another boy that could make me feel so sweet
Cos me love life's so right
When she hold me so tight, how she kiss me goodnight
Cos he fills up my life
Like the sun, he shines bright
Boy, come with me now

The first night me meet her
Yes me senorita me never want to leave her no
Because the gal look sweet and ???
And me really want to take her home
Cos she look nice and is a one of a kind
When me look up in her eyes then she got me mesmerised
Picture perfect like a Kodak moment
When she kiss me goodnight and she feelin' up on me
We been there from the jump, never front, never stunt
Never done what a average girl done
And I can tell by her body language
She feels my emotions
And got me anxious
So that's me type
Me and me angel
And me really have to let her know
She's the woman of my life
Oh yes she so right
So please let the chorus go

(Chorus)
There's nothing in this world
There's not another girl that could satisfy my needs
There's nothing in this world
There's not another boy that could make me feel so sweet

Cos me love life's so right
When she hold me so tight, how she kiss me goodnight
Cos he fills up my life
Like the sun, he shines bright
Boy, come with me now

I Saw you from across the room
Looking so fly I gotta talk to you, yeah
It didn't take a sec to see
That you're the only one who wanna rescue me
I can't lie, boy you're my type of guy
And there's nothing in this world that can stop me from loving you

Girl you put me in a good mood
And me love the way you flex too
We could chill girl, after school
Cos I ain't trippin girl it's up to you
And since then we've been inseperable
Cos I did everything to get next to you
Since day 1 you know I stay true
So ever since then it's been me and my boo

(Chorus)
There's nothing in this world
There's not another girl that could satisfy my needs
There's nothing in this world
There's not another boy that could make me feel so sweet
Cos me love life's so right
When she hold me so tight, how she kiss me goodnight
Cos he fills up my life
Like the sun, he shines bright
Boy, come with me now

(Sean Kingston)
There's nothing in this world, There's nothing in this world
There's nothing, there's nothing

(Paula Deanda)
There's nothing in this world, There's nothing in this world
There's nothing, there's nothing
Read more!

[Artist] LADY ANTEBELLUM : "Love Don't Live Here" MV & Lyrics

Not only is this one of the best new-artist debuts in recent memory (think Dixie Chicks in 1998), Lady Antebellum's self-titled set will go down as one of the year's best, period. The singing/songwriting combination of Hillary Scott, Charles Kelley and multi-instrumentalist Dave Haywood is fresh and mature. The trio's unique vocal arrangement—Kelley's blue-eyed soul leads on some songs, Scott effortlessly leads on others, and the two also duet—sets them apart. "Love Don't Live Here" is driven by Kelley's powerful vocal, while Scott shines on the defiant "Long Gone" and the romantic "Can't Take My Eyes off You." "All We'd Ever Need" and "I Run to You" finds the pair seamlessly intertwining in the tradition of Crystal Gayle and Gary Morris.--Billboard said.

About Lady Antebellum

In the summer of 2006, three gifted young adults walked into a house hoping to create music together—and Lady Antebellum walked out.

The sound that Hillary Scott, Charles Kelley and Dave Haywood cooked up while hanging at the Nashville-area home of Charles’ brother throughout the summer of 2006 is a unique blend that mingles classic country, 1960s R&B soulfulness and the heart-on-the-sleeve openness of 1970s singer-songwriters, all presented with a razor-sharp contemporary edge. It’s a sound that had Lady Antebellum, as the threesome dubbed itself, generating deafening buzz as one of modern country’s brightest hopes even before the release of their new self-titled debut album.

Already the trio has been nominated for “Top New Group” at the 2008 Academy of Country Music (ACM) Awards. They’ve watched the group-penned first single from Lady Antebellum, “Love Don’t Live Here Anymore,” soar up the country radio charts, while its video has become a staple on CMT and GAC. They’ve performed on the legendary Grand Ole Opry, served as the opening act on Martina McBride’s 2008 arena tour, and opened shows for Kenny Chesney, Carrie Underwood, Tim McGraw, Alan Jackson, Taylor Swift, Josh Turner, Phil Vassar, Rodney Atkins and Little Big Town. Outlets like Billboard, Country Weekly, MSN Music and the Boston Globe included Lady Antebellum among their annual shortlists of artists to watch in 2008, and Nashville Lifestyles magazine flat-out called them “the next big thing.” GAC has devoted a special, Introducing … Lady Antebellum, to tracing their brief but eventful history.

Martina summed up the general consensus of both fans and the media when she told one audience on their tour together, “You can say you saw them when.”

But it all began on that day in 2006 when Hillary Scott’s sultry alto, Charles Kelley’s gritty tenor and multi-instrumentalist/ harmony vocalist Dave Haywood’s musical overview first intersected. Hillary, whose parents are Grammy-winning country artist Linda Davis and accomplished musician Lang Scott, had met Charles at a downtown Nashville music spot—having recognized him from his MySpace page. She introduced herself, and they struck up a conversation that ended in an agreement to try writing together.

Enter Dave Haywood, Charles’ friend since they met at Riverside Middle School in Augusta, Ga., and co-writer since they attended college together at the University of Georgia. Dave had moved to Nashville in March 2006 at his pal’s suggestion, and both were staying at the home of Charles’ brother, singer-songwriter Josh Kelley. Hillary came by the house, and over the ensuing months she, Charles and Dave fell into a fruitful songwriting partnership. “We held ourselves hostage in a writing room until the early hours of the morning every night,” Dave remembers.

At first, the three weren’t sure what exactly they were writing for—but it soon became obvious that Charles and Hillary produced a combustible chemistry as a vocal duo, and that Dave’s instrumental prowess and harmony vocals filled out the picture perfectly. It helped matters a great deal that the three also sparked as friends, finding an easy balance of personalities. “I’m the analytical perfectionist, Hillary brings the silliness and the emotion, and Dave is the calming glue,” Charles explains. “Everyone balances everybody else out.”

Each also brought diverse influences into the collaboration, ranging from The Allman Brothers Band to Vince Gill, from The Eagles to Keith Urban, and from Gladys Knight to Travis Tritt. All those elements added up to something distinctly modern, yet grounded in old-fashioned gut-level passion. “It’s like a Neapolitan blend of all these flavors,” Dave says. “It’s a really great marriage, musically and lyrically.” Their old-school influences led them to choose an old-time moniker, inspired by a just-for-fun photo shoot in front of an Antebellum-style home: Lady Antebellum. (“There’s not anything too terribly meaningful behind it,” Charles admits.)

The three began posting demos on MySpace to see what kind of reaction they’d receive, and visitor feedback was immediately, overwhelmingly positive. Audience reaction was just as instantaneous when Lady Antebellum began playing small gigs around Music City. “It took on a life of its own,” marvels Dave, who booked their first shows himself. “There was no plan, we just kept churning out as many songs as we could.” Early fans soon took it upon themselves to bestow upon the trio the shorthand nickname “Lady A.”

By April 2007, the group had signed a recording contract with Capitol Nashville and begun work on their debut with the aid of megaproducer Paul Worley and award-winning songwriter Victoria Shaw. The resulting album is a vivid document of the group’s verve, versatility and vibrancy. Lady Antebellum’s 11 songs—10 of which were co-written by the band—effortlessly capture the trio’s musical interplay, emotional directness and all-for-one spirit. The chugging hit “Love Don’t Live Here” (inspired by a breakup Charles had just endured) announces their intent from its opening moments, as the chiming guitars give way to Charles’ gutsy voice, quickly seconded by Hillary’s backing vocal. Throughout the album, the two lead singers shift easily between taking the spotlight and sharing it, whether they’re trading off lines in the great tradition of country duet singers or supporting one another with sparkling harmonies.

The range of emotion on Lady Antebellum encompasses both the joyfully romantic “Love’s Lookin’ Good On You” and the desolation of the swelling ballad “All We’d Ever Need” (the very first song the trio composed together). Between those extremes is the driving “Long Gone,” a display of attitudinal assurance from Hillary; “Lookin’ for a Good Time,” an irresistible come-on from Charles; “Slow Down Sister,” a churning rocker with touches of Southern rock and Stax groove; and the pulsing “I Run to You,” in which the voices circle one another tantalizingly before melding seamlessly in the chorus. Fans drawn in by “Love Don’t Live Here” are about to discover just how much more there is to Lady Antebellum—and given the trio’s breathtaking rise to newly minted star status, it’s a sure bet that there are plenty of listeners out there waiting to do just that. “It still overwhelms me,” Hillary admits. “I’m a true believer that what’s meant to be will fall into place. When the ride starts, you’ve just got to jump on.”

With a one-of-a-kind vocal chemistry that evokes the tradition of classic country, an up-to-the-second modern sound, and a songwriting partnership that’s both timely and timeless, Lady Antebellum offers a combination that’s both shockingly fresh and as familiar as an old friend.

Review
by William Ruhlmann

Lady Antebellum is a two-guys-and-a-girl trio comprised of co-lead singers Charlie Kelley and Hillary Scott with multi-instrumentalist Dave Haywood. The group is also a songwriting collective, a Nashville rarity, co-writing most of the songs on its self-titled debut album. The three may have come up with material as good as what a publisher could have provided, although they never stray too far from formula, as reused titles like "Love Don't Live Here," "Long Gone," "I Run to You," "Home Is Where the Heart Is," and "Can't Take My Eyes Off You," suggest. Love is true or false, depending on the song, or it's forgotten in the honky tonk haze of "Lookin' for a Good Time." Kelley has a sturdy country baritone, but he sometimes sounds a bit too pleased with his own rich tone and comes off mannered. Scott, by contrast, seems to know that her voice can't match Kelley's for distinctiveness, so she works harder at coming up with striking phrasing and emotional force. The contrast gives their duets a chemistry that is the band's strongest element. Producers Victoria Shaw and Paul Worley give the record a pop/rock sound, with plenty of guitars and rhythmic punch, the better to goose a little more feeling from the singers. At this point, Lady Antebellum is a group that seems to know the basics of contemporary country but isn't ready to move beyond them or redefine them for its own ends. Still, this is a good beginning.

Lyrics

Love Don't Live Here

(Dave Haywood / Charles Kelley / Hillary Scott)I really felt like we found our sound on this song, and I was really proud that it became our first single since it was one of the first songs that the three of us wrote together. - Charles

Well this heart of mine has been hardened like a stone

It might take some time to get back what is gone

But I’m movin’ on and you don’t haunt my dreams

Like you did before oh when I would curse your name

Well I heard the news that you were back in town

Just passin’ through to claim your lost and found

But I’m over you and there ain’t nothin’ that

You could say or do to take what you did back

Well you got nerve to waltz right inAnd think what’s mine is yours again

Chorus

Cause I’ve been doin’ fine without you

Forgettin’ all the love we once knew

And girl I ain’t the one who slammed that door

But now you say you’ve changed your thinkin’

But I ain’t got a heart for breakin’So go and pick your bags up off my floor

Oh cause love don’t live here anymore

Well baby you can try to tell me how it is

And try to justify everything you did

But honey I’m no fool and oh I’ve been down this road

Too many times with you I think it’s best you go

Well I got one thing left to say

Is you can lay in the bed you’ve made

Repeat Chorus

Oh no that love don’t live here anymore

Oh no, no

Sugar no, no

And you don’t live here anymore

Love don’t live here anymore

And since you walked out of my door

Love don’t live here

Love don’t live here girl

Oh love don’t live here anymore

MV -- "Love Don't Live Here "

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[New MV] Nelly feat. Fergie : Party People

New song frum Nelly off his new album Brass Knuckles...

The album will feature fourteen tracks as reported by USA Today.Nelly explained the reasoning for the title as "the best way" he can explain "how hard it's going to hit you."

Nelly has a range of featured guests lined up for Brass Knuckles, with appearances from Akon, Ashanti, Avery Storm, Babyface, Chuck D, Ciara, Fergie, LL Cool J, Lil Wayne, Pimp C, Rick Ross, Snoop Dogg, St. Lunatics, T.I. and Usher all confirmed.Jermaine Dupri also stated possibilities of hopeful collaborations with Bruce Springsteen, Mariah Carey and Janet Jackson. Dupri gave a look into the two collaborations, one being Nelly, Carey and Jackson all appearing on the same track, in which he stated Nelly has laid the following blueprint:

Nelly's got a crazy collaboration he's trying to put together, which is him, Janet and Mariah Carey all on one song...That's what he wants. If he could convince them to do it, it would be crazy. He wants Janet to rap a 16-bar verse, he wants Mariah to sing the hook and he's gonna do two verses. He has it all planned out. You ask him about it! This is what he wants; he's 100-percent deadlocked into it. He went on to speak about the possibility of the Springsteen collaboration and that two of his own tracks will appear on the album,

Unfortunately for Nelly he was unable to get to collaborate with Springsteen as he was too busy around the world, though he if still hopefull to collaborate with him on a future album, or even a repackage of Brass Knuckles On March 30, Nelly told hiphopdx.com that "the album would feature a handful of new producers".

The first single was believed to be "Cut It Out" which features the late Pimp C and Sean P, of YoungBloodZ, but was later confirmed to be "Wadsyaname," which was released digitally on August 21, 2007. Because of pushed release dates from October 16 and on, the official first single has been changed to Party People. Nelly has recently recorded the Jermaine Dupri produced track "Stepped On My Js" featuring Ciara. Nelly describes the song as "'Air Force Ones' and 'Grillz' on steroids."

Lyrics

Let's go.
St. Louis
Yeaaahh.
Let's go
I told ya I gon' change the game
LA all day
They cant ya boy
I get money
Ya m*f*'s aint ready

[CHORUS]
(Fergie)
Just walked thru the door
what's it gonna be,
I can't get to the floor
boys all over me.
What it's gonna be
Where my party, pa' party party pa' party people at?
Where my party, pa' party party pa' party people at?

(Nelly)
Just walked thru the door
what's it gonna be,
I can't get to the floor
girls all over me.
Where my party, pa' party party pa' party people at?
Where my party, pa' party party pa' party people at?


(Nelly)
It's Nelly(Wait a minute)
Comin straight up out the Lou
and all you New Edition rappers better cool it now
for I make a fool of yall,
paper stacked as tall as Yao Ming
look at the bling
settings in rings
lookin like basketballs.
[2nd time (Chopped & Screwed voice)]

[CHORUS]

Where my party people at x8

(Fergie)
Well it's Fergie I'm the Dutchess
Comin straight from CalifornIA
stuntin in my loc locs.
Dreamin bout me M.I.A.,
boyfriend wonderin where I'm at,
cause I'm in the spot spot.
Why he always tryin to be puttin me down on lock lock?
[2nd time (Chopped & Screwed voice)]

[CHORUS]

(Nelly)
Patiently waitin & takin my time
watchin these haters
don't come with they rhymes
watchin these suckers are mimickin, gimmickin
then they start fallin off one at a time.
You can go search but you never could find,
I promise you derrty I'm one of a kind.
Mold is broken, the formulas mine.
I killed the idea and destroyed the design.

(Fergie)
I was patiently waitin & takin my time
Now that I'm here I'm gettin my shine.
All of you haters can kiss a behind,
specifically speakin I'm talkin bout mine.
Don't need you to tell me, I know that I'm fine.
I'm killin it baby so call it a crime.
Yea you watch it I'm stealin my time
I told you before that big girls don't cry.

[CHORUS]

ohh
Read more!

Gabriella Cilmi - Sweet About Me MV Lyrics & Downloads

Gabriella’s first single is called “Sweet About Me.”Her first studio album, titled Lessons to be Learned were released on February 18th 2008.

She made her UK TV debut on December 14th 2007 when she sang her new single ‘Sweet About Me‘ on the UK television show, Later with Jools Holland.

She has already been compared to Amy Winehouse.The song Sweet About Me debuts on the UK Singles Chart at position 68 (9 March 2008).

Gabriella Cilmi - Sweet About Me Video






Lyrics

Verse 1:
Ohh watching me, hanging by a string this time.

Ohh easily, the climax of the perfect lie.

Ohh watching me, hanging by a string this time.

Ohh easily, smile worth a hundred lies.
If there’s lessons to be learned, I’d rather get my jamming words in first so, tell you something that I’ve found, that the worlds a better place when it’s upside down boy.
If there’s lessons to be learned, I’d rather get my jamming words in first so, when your playing with desire, don’t come running to my place when it burns like fire boy.

Chorus:
Sweet about me, nothing sweet about me, YehhSweet about me, nothing sweet about me, YehhSweet about me, nothing sweet about me, YehhSweet about me, nothing sweet about me, Yehh

Verse 2:
Blue, blue, blue, waves they crash as time goes by, so hard to catch.
Too, too smooth, ain’t all that, why don’t you ride on my side of the tracks.
If there’s lessons to be learned, I’d rather get my jamming words in first so, when your playing with desire, don’t come running to my place when it burns like fire boy.

Chorus:

Sweet about me, nothing sweet about me, YehhSweet about me, nothing sweet about me, YehhSweet about me, nothing sweet about me, YehhSweet about me, nothing sweet about me, Yehh(fading out)Sweet about me, nothing sweet about me, YehhSweet about me, nothing sweet about me, YehhSweet about me, nothing sweet about me, Yehh

DOWNLOAD THIS ALBUM:

Coming Soon.....

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Madonna song 'Miles Way' in Japanese show

Madonna poses backstage after being inducted during the 23rd annual Rock and Roll Hall of Fame induction ceremony at the Waldorf Astoria Hotel in New York March 10, 2008. A ballad from Madonna's upcoming album will provide the theme music for a new Japanese television show, the first time the pop diva has licensed a tune for a TV drama here.(Brendan McDermid/Reuters)

By Julian Ryall

TOKYO (Hollywood Reporter) - A ballad from Madonna's upcoming album will provide the theme music for a new Japanese television show, the first time the pop diva has licensed a tune for a TV drama here.

The song, "Miles Away," will be used for the show "Change," which is scheduled to begin airing in April. It is taken from Madonna's "Hard Candy" album, which is set for release here April 30.

The show stars local heartthrob Takuya Kimura in the tale of a small-town elementary school teacher who is suddenly -- if improbably -- propelled into the position of prime minister of Japan. Madonna met Kimura when she appeared as a guest on the his "SMAPxSMAP" variety show in 2005.

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Danity Kane - Damaged Music Video & Lyrics

Danity Kane Damaged Lyrics

Shannon

Do, Do you got a first aid kit handy?

Do, do you know how to patch up a wound, tell me

Are, are, are you, are you patient, understanding?

Cuz I might need some time to clear the hole in my heart and I

I tried every remedy and nothing seems to work for me

D. Woods

Baby, baby this situation’s driving me crazy [crazy]

And I really want to be your lady [lady]

But the one before you left me so

Chorus

Damaged, Damaged, Damaged, Damaged

I thought that I should let you know

That my heart isDamaged, Damaged, so damaged, so damaged

And you can blame the one before

(Dawns ad libs)

So how you gonna fix it, fix it, fix it?

How you gonna fix it, fix it, fix it? [baby, I gotta know]

How you gonna fix it, fix it, fix it? [what are you gonna do baby]

How you gonna fix it, fix it, fix it? [baby I gotta know, what are you gonna do]

Aundrea

Do, do you got a first aid kit handy?

Do, do you know how to patch up a wound tell me,

Are, are, are you, are you patient, understanding,

Cuz I might need some time to clear the hold on my heart and I

Aubrey

You try to gain my trust, [trust] talking is not enough

Actions speak louder than words

You gotta show us something

My heart is missing some pieces

I need this puzzle put together again

[Chorus]

(Dawn Aundrea ad libs)

So how you gonna fix it, fix it, fix it? [yeah, yeah, yeah, yeah]

How you gonna fix it, fix it, fix it? [baby you gotta know]

How you gonna fix it, fix it, fix it? [what are you gonna do]

How you gonna fix it, fix it, fix it? [baby you gotta know]

[what are you gonna do]

D. WoodsCan you fix my h-e-a-r-t? [tell me can you fix my heart]

Cuz it’s d-a-m-a-g-e-d [don’t you know it’s damaged]

Can you fix my h-e-a-r-t?

Aundrea

Tell me are you up for the challenge? Cuz my heart is

[Chorus]

So how you gonna fix it, fix it, fix it?

How you gonna fix it, fix it, fix it? [It’s that type of pain]

How you gonna fix it, fix it, fix it? [that you feel deep inside]

How you gonna fix it, fix it, fix it? [It’s that type of pain that]

How you gonna fix it, fix it, fix it? [makes you pray, makes you cry]

Aubrey

My heart is damaged, damaged, damaged [but it’s going to be alright one day]

My heart is damaged, damaged, damaged

My heart is damaged, damaged, damaged [this too shall pass]

My heart is damaged, damaged, damaged

My heart is damaged [sometimes you gotta go though the pain to experience the joy]

[this too shall pass]

[Danity Kane]

[this too shall pass]

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Florida ft. T-Pain - Low | Music Video |

New MV from Ost. Step Up 2,Good movie & good sound.

Lyrics

[Chorus:]Shawty had them Apple Bottom Jeans [Jeans]Boots with the fur [With the fur]The whole club was lookin at herShe hit the flo [She hit the flo]Next thing you knowShawty got low low low low low low low low

Them baggy sweat pantsAnd the Reeboks with the straps [With the straps]She turned around and gave that big booty a smack [Ayy]She hit the flo [She hit the flo]Next thing you knowShawty got low low low low low low low low

[Verse 1:]I ain't never seen nuthin that'll make me go,This crazy all night spendin my doughHad a million dollar vibe and a bottle to goDem birthday cakes, they stole the showSo sexual, she was flexibleProfessional, drinkin X and oooHold up wait a minute, do I see what I think I Whoa

Did I think I seen shorty get lowAin't the same when it's up that closeMake it rain, I'm makin it snowWork the pole, I got the bank rollImma say that I prefer them no clothesI'm into that, I love women exposedShe threw it back at me, I gave her moreCash ain't a problem, I know where it goes

She had them

[Chorus:]Apple Bottom Jeans [Jeans]Boots with the fur [With the fur]The whole club was lookin at herShe hit the flo [She hit the flo]Next thing you knowShawty got low low low low low low low low

Them baggy sweat pantsAnd the Reeboks with the straps [With the straps]She turned around and gave that big booty a smack[Ayy]She hit the flo [She hit the flo]Next thing you knowShawty got low low low low low low low low

[Verse 2:]HeyShawty what I gotta do to get you homeMy jeans full of gwapAnd they ready for ShonesCadillacs Maybachs for the sexy grownPatrone on the rocks that'll make you moan

One stack (come on)Two stacks (come on)Three stacks (come on, now that's three grand)[ Low lyrics found on http://www.completealbumlyrics.com ]What you think I'm playin baby girlI'm the man, I'll bend the rubber bands

That's what I told her, her legs on my shoulderI knew it was ova, that Henny and ColaGot me like a SoldierShe ready for Rover, I couldn't control herSo lucky oo me, I was just like a cloverShorty was hot like a toasterSorry but I had to fold her,Like a pornography posterShe showed her

[Chorus:]Apple Bottom Jeans [Jeans]Boots with the fur [With the fur]The whole club was lookin at herShe hit the flo [She hit the flo]Next thing you knowShawty got low low low low low low low low

Them baggy sweat pantsAnd the Reeboks with the straps [With the straps]She turned around and gave that big booty a smack [Ayy]She hit the flo [She hit the flo]Next thing you knowShawty got low low low low low low low low

[Verse 3:]WhoaShawtyYea she was worth the moneyLil mama took my cash,And I ain't want it back,The way she bit that rag,Got her them paper stacks,Tattoo Above her crack,I had to handle that,

I was on it, sexy woman, let me showninThey be want it two in the morninI'm zonin in them rosay bottles foaminShe wouldn't stop, made it dropShorty did that pop and lock,Had to break her off that gwapGah it was fly just like my glock

[Chorus:]Apple Bottom Jeans [Jeans]Boots with the fur [With the fur]The whole club was lookin at herShe hit the flo [She hit the flo]Next thing you knowShawty got low low low low low low low low

Them baggy sweat pantsAnd the Reeboks with the straps [With the straps]She turned around and gave that big booty a smack [Ayy]She hit the flo [She hit the flo]Next thing you knowShawty got low low low low low low low low

C'mon

I think the lyric is son long and hard to sing.....what you think?

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